That a radio program spanning 56 weekends should evolve into a full-length music concert and then capture the imagination of millions for six decades, seems like an impossible fairytale. But the story of Geet Ramayan is no less than such a tale.
Sixty years ago on Ramnavami, the voice of ‘Babuji’ Sudhir Phadke rang out in the morning on Aakshvaani Pune, carrying the words of Ga Di Madgulkar – स्वये श्रीरामप्रभू ऐकती, कुशलव रामायण गाती. Fifty-five songs followed over the next one year, and the rest is history. Much has been written and spoken about it in these last 60 years. It has also been translated into several other languages. People celebrated its silver jubilee, then its golden jubilee, and the celebrations are still continuing. What is the secret of its astounding success?
Is it just a combination of classic lyrics and melody? Or is there more to it than meets the eye? Before we delve into this enquiry, a tribute to its creators is a must. I cannot find any better way than to just quote the co-creators here –