A date with the Government

I believe I am an honest taxpayer. And I have enough papers to prove it. So in  due course of time, a day arrived when I had to go further and become an honest service-tax payer. I thus braced myself for a long-drawn battle with the system to get a service tax registration number. And since I have already made the claim to being an honest taxpayer, I did not wish to approach the matter through a tout/agent.

At the outset, I must admit that I was pleasantly surprised that the whole system of getting a registration is now online. Wow. One would be tempted to say. That it took me seven visits to the office in spite of the system being online (or rather, because of it) is another matter. Anyway, to come to the point, the procedure sounds deceptively simple.

1. Go the aces.gov.in homepage and create an account for yourself. You then get a login ID and a password - the customary stuff.

2. Then you login and fill up a form called ST-1 and click on 'Submit'. Then take a printout of the form... wait. Here's the first catch. If you have to really take a printout, you have to achieve quite above-average literacy in the world of computers, because there is NO straightforward method to either get a printout of ST-1 or getting a PDF version of it. But I managed that.

3. Then one has to go to the service tax office, wait in an interminably long queue (and it could takes several such visits - it took me three) and present the ST-1 with supporting documents (PAN, addr proof etc.) and submit it.

4. The officer promises you that the approval of ST-1 will happen in seven working days. Which means you have to wait for a week-and-a-half, and just hope that other meaningless holidays like Mahashivratri don't make the wait longer.

5. It comes as no surprise that nothing happens after seven (or many more) working days. I went after sixteen, and had to create a mild form of satyagrah in the office to get the officer to approve my application in front of me.

6. Once approved, one simply has to login again and take a printout of the much-desired and precious entity called Form ST-2. Child's play, one would imagine. But no.

7. When I eagerly logged in and, fingers quaking in anticipation, clicked on the link called 'View Latest ST-2', it asked for dates. From and To date.

Where do I belong, really?

Am back in this space after a long time, and it is no coincidence that the reason had to be music. And that too, music at its purest, primeval, uncluttered best. I was in Shantiniketan for three days and one evening, on the outskirts of a Santal village, I met this Baul singer singing all by himself in the middle of nowhere, totally unmindful of what was happening around him. I haven't managed to follow all the lyrics but basically the poet is telling someone (presumably a girl) to go back 'to where she really belongs.' Amazingly, the Baul manages three instruments - the 'Ektara' , a drum to hold the rhythm, and ghunghroo tieid to his legs to fill up the spaces between two 'matras' in the rhythm 1

I believe the Baul is singing to all of us, not just to some girl. Often I find myself having arrived (with great effort, mind you) in a certain place and then realize suddenly that I am in the wrong place. What's the option then, but to go back to where one belongs? 

Once upon a time....

This is the home of my grandparents. It would be more appropriate to say that this WAS their house. Neither of them are alive today, nor does the house now belong to any of their descendants. The house was sold off almost 20 years ago. Usually old buildings in Pune (or for that matter anywhere) have a standard fate, that of being razed to the ground and a new apartment complex coming up at that place. But this one has had to face a different twist of fate. For reasons outside the purpose of this note, the house (& adjoining Bhanuvilas movie theatre) have remained in a state of limbo for nearly twenty years.

This is the home where my grandparents lived, brought up their 11 children, witnessed the ups and downs of life together, saw people come and go for over 50 years. I have spent all my summer vacations here. Every wall, corner, window, broken door-frame - everything - is a living memory for me. Countless moments of joy, growing up with cousins, being doted over by aunts and uncles, and the omnipresent feeling of 'being at home' that my grandparents exuded.

I do not intend to go on a nostalgia trip here. That would be a never-ending venture. All I want to say is - I have paid attention to living beings - people, pets, plants. I have a habit of maintaining inanimate possessions very carefully - books, old pens, old pictures, my grandfather's pocket watch, and so on. But I don't think I have paid enough attention to structures which have sheltered me from the forces of the world. I may have taken them for granted, in fact. Seeing pictures of my family home has brought about this stark realisation, do I love my home enough when I am in it?

This wada at 343, Narayan Peth, Pune and the adjoining Bhanuvilas Talkies will also become a part of history sooner or later. They can't remain like this indefinitely. But I shall forever be grateful to this place for showing me what a home is all about. Most of all, this space provides me with the answer to the existential question - where do I belong? Yes, I belong to this soil, this is where I came from, this is who I am.

My grandpa must have sat in this very place when he dreamt of the countless business ventures that he started. And then seen many of them go bust, one after the other. Through all this, my grandma would have kept the home fires burning, often by selling one by one her family heirloom jewels, must have sat here and written those letters to him. The letter would reach him when he was in jail, where he spent half his working career, just because he decided to follow a path that Gandhi showed. Yes, this is where I have come from.

Every time a space beckons to us, tugs at our heart and asks us to stay back, we resort to saying the good old इदं न मम. (This is not mine.) But a day comes when you take a pause in the race, and say to yourself, "Yes, this IS mine."

Kabir must have realized that "this is not mine" when he said उड जाएगा हंस अकेला . Yes, a day will come when I too, will fly off. Like my grandpa, my grandma, my father, and now my mother has. This bird will fly away too, not knowing where its destination is, but surely knowing where its roots lie. And therein lies a surety that we often seek.

(Note - All photographs by Aniruddha Bhate. I am sure he doesn't mind me posting them here. His roots lie here too, after all.)

Tribute to Pandit Bhimsen Joshi

As a child, I still recall the first time I heard the Shuddha Kalyan by Panditji - बतिया तोरा, on a 78 RPM record. 40 years have passed but its magic has not worn off even a wee bit. Later in college days, his three evergreen compositions - सोहे लरा री in Kedar, धन धन मंगल गावो in Kalashree and तू रस का in Durga triggered off an everlasting addiction of classical music.

Then one late night on top of Fort Rajmachi, one of us was fiddling with the transistor, which caught on unknown station and started playing 'सखी मंद झाल्या तारका'. For a moment we relaxed back into our sleeping bags and then suddenly sat up dazed. The voice was Bhimsenji's, not Sudhir Phadke! We could not quite believe our ears that the same powerful voice which had sung रम्य ही स्वर्गाहुनी लंका could bring out such soulful rendering of 'ते प्रेमगाणे छेडणारा सूर तू होशील का'. (If you still haven't heard this, you can do so now on esnips).

And the several early mornings of the concluding recital in Sawai - Ramkali, Jogiya or an Ahir Bhairav, and his ending it with a Bhairavi. How can anyone ever forget his बाबुल मोरा नैहर छूटो जाय?

Then, at the end as everyone stood up to pay homage to Sawai Gandharva and his Bhairavi record was being played, one could see Panditji standing with his head bowed down, humility and respect personified.

I will forever remain indebted to him for showing this huge treasure to me. I am sure there are millions of others with whom I share these sentiments today.

What can one say about the greatness of a person who has enthralled millions of fans for over seven decades with his singing?

All I can do is post a clip from an recording, from way back in 1954. (God bless the soul who thought of recording it then.) Its an captivating rendering of Yaman lasting for nearly an hour (कैसन की - विलंबित एकताल, शाम बजाये आज मुरलिया - द्रुत तीनताल and then a तराणा in द्रुत एकताल.)

I am no expert on Pt. Bhimsen Joshi (I still cannot bring myself to writing 'Late' before his name) but I think he rarely sang a tarana. Am posting only the last bit of the recording here. The photographs are from Google, thanks to all the photographers. I think they won't mind me using these pictures here.

It is only appropriate that I should pay homage to him by posting a tarana in Yaman, a raag that is often sung in the beginning of a concert. Kumarji once said that when words fall short of expressing emotions, a Tarana takes over.

With this, I can start a new phase of devoted listening to his voice.